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Tuesday, July 7, 2020

21.Strategy for film making


One  film  at the 18th International Film Festival of Kerala 2013,  had a catchy title: When Evening Falls On Bucharest or Metabolism. The synopsis of the film reads:
“...This seemingly simple love story becomes a force of cinematic deconstruction. The quasi-absurdity of their relationship moves from the dingy room to the director’s apartment...Dense with meaning  in every frame, the film delivers a thought-provoking rumination on our engagement with reality through cinema...”
Which film lover would not be seduced by such a synopsis? Many  must have marked the film as a must see,  the moment   the  Handbook of  film synopsis was released.
Phew!...if my memory is right, the film hardly has six or seven scenes. The lead characters chat, chat, chat, chat and act....while the theatre audience snores, snores, snores, snores and sleeps!!! Some wake up from the slumber  only to be lulled back magically to sleep...
The film over, while hurrying to the exit, my eyes fell on a renowned film critic and Professor of English, who too was leaving the theatre. I explored the countenance of the venerable  teacher for  a potential message of the film which had unfortunately eluded me. I may be wrong...but  a gut feeling inside me tells me that  the Professor was struggling to  put on an intellectually satisfying  appearance despite the fact that the film made the entire audience look like complete idiots!
Back home in my leisure, I pondered on the message/ intention of the director of the film. It  seems  deceptively  simple...  you  too can make films like this... Why not place a camera in retiring rooms where one can easily come across juicy gossips and innuendoes  with all the elements of a  Thriller! And..., who knows  the  ‘product’ which we can call an ‘Art Film’, might fetch us awards  at  Toronto, New York, Vancouver and Sarajevo, which this film managed to!



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